备注:已完结
类型:剧情片
主演:Artúr Somlay Miklós Gábor Zsuzsa Bá
语言:其它
年代:未知
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
备注:已完结
类型:爱情片
主演:奥列格·维多夫 瓦莲京娜·季托娃 乔治·马丁约克 Maria Past
导演:弗拉基米尔·巴索夫
语言:其它
年代:未知
简介: 十七岁的玛利亚(瓦莲京娜·季托娃 Valentina Titova 饰)是衔着金汤匙出生的千金小姐,从小过着养尊处优的富足生活。这样的她,偏偏爱上了一穷二白的青年弗拉基米尔(奥列格·维多夫 Oleg Vidov 饰),这段门不当户不对的恋情自然收到了玛利亚家人的强烈反对,可这对恋人的真爱战胜了一切,他们决定私奔。 哪知道在私奔当夜,当地下起了暴风雪,到处都是白茫茫的一片,在恶劣的天气中,弗拉基米尔迷路了。当他最终到达了和玛利亚约定的汇合地点时,已经是第二天早上了,那里早已经不见了心上人的踪影。伤心的弗拉基米尔加入了部队,并且最终在战场上结束了短暂的一生。
备注:已完结
类型:恐怖片
主演:萨哈拉·桑卡布理查 Piyathida Woramusik 苏卡达·顾
导演:索分·沙达菲斯
语言:
年代:未知
简介:经过长达14年的努力,阿提终于在清迈远郊的拉达乐园购买了一幢属于自己的房子。他事必躬亲打理房中的一切,满心欢喜等待妻子小斑和女儿小楠、儿子纳特从曼谷到来。正处在青春期的小楠被迫和好朋友以及一直照料自己的外婆分别,因此心中愤愤不平,对父亲时常语带讥讽。与此同时,阿提一家的快乐喜悦也并未持续多久。某天,同小区一户人家,警方发现缅甸籍女佣被人杀害,并藏尸冰箱之中。这一恶性事件令拉达乐园内人心惶惶,小斑更是充满不祥的预感。虽然勉强支撑,但是阿提也不可避免地被一些灵异事件所困扰。某日,阿提不幸失业,巨大的生活压力令他透不过气来,而周边发生的各种不祥事件也让他几近崩溃……