-
备注：已完结
类型：剧情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
语言：其它
年代：未知
简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
-
备注：已完结
类型：科幻片
主演：YaYa Gosselin Lyon Daniels 安迪·沃肯 哈拉
导演：罗伯特·罗德里格兹
语言：英语
年代：未知
简介：外星入侵者绑架了地球的超级英雄，他们的孩子则被匆匆送进政府避难所，但机智过人的青少女蜜西（YayaGosselin饰）使尽各种招数，一心要拯救她的超级英雄爸爸马可斯（PedroPascal饰），为此她跟其他超级小英雄携手合作，逃离当局神秘的保母格拉娜达女士（PriyankaChopraJonas饰）。这群孩子必须各自使出包括超强弹力、控制时间和预言未来在内的力量并肩作战，组成无人能敌的团队，才能成功救出爸爸妈妈。动作画面精彩且真挚动人的《全民小英雄》由《非常小特务》、《鲨胆小英雄》导演RobertRodriguez执导，并请到BoydHolbrook、ChristianSlater、ChrisMcDonald及AdrianaBarraza同台演出。
-
备注：已完结
类型：剧情片
主演：Umut Karadag Tuncay Kaynak 马希尔·贡西雷
导演：塞米赫·卡普兰奥卢
语言：其它
年代：未知
简介：Hasan得知有人要在他的耕田上安装电塔，他动用手段避免这一切发生。在出发去麦加朝圣之前，他向妻子保证弥补过去的错误。 Making his living from gardening and farming in the land he inherited from his father, Hasan tries to get rid of the power pole that is going to be installed in the midst of his land. His impending voyage to Mecca for pilgrimage leads to soul searching into his past.
-
备注：已完结
类型：剧情片
主演：Ada Ameh Beverly Osu Blossom Chukwu
语言：
年代：未知
简介：SetinNigeria,Olotureisthestoryofayoung,naiveNigerianjournalistwhogoesundercovertoexposetheshadyunderworldofhumantrafficking.Unusedtothisbrutalenvironment,crawlingwithruthlesstradersandpimps,OloturefindswarmthandfriendshipwithBlessing,LindaandBeauty,theprostitutessheliveswith.However,shegetsdrawnintotheirlifestyleandfindsitdifficulttocope.Inherquesttouncoverthetruth,shepaystheultimateprice-onethattakeshertothevergeofnoreturn.
-
备注：已完结
类型：欧美剧
主演：艾米贝丝·麦克纳尔蒂 杰拉丁妮·詹姆斯 罗伯特·H·托马斯 达莉拉·贝
导演：妮琪·卡罗 海伦·谢费 桑德拉·戈尔德拜彻 大卫·埃文斯 帕特丽夏·罗兹玛 保罗·福克斯 阿曼达·泰平
语言：
年代：未知
简介：改编自著名经典小说，故事描述一个小女孩，如何排除万难和种种考验，为自己争取关爱、认同和专属的一席之地。故事发生于19世纪后期，孤女安妮（艾米贝丝·麦克纳尔蒂AmybethMcNulty饰）经历了在孤儿院和陌生人家中饱受虐待的童年后，意外被安排到爱德华王子岛上一对姐弟的家中生活。随著时间流逝，年仅13岁的安妮凭著她的独特魄力、智慧和丰富的想像力，为玛莉拉·卡斯柏特（杰拉丁妮·詹姆斯GeraldineJames饰）和马修·卡斯柏特（罗伯特·H·托马斯R.H.Thomson饰）的生活，甚至整个小镇带来改变。安妮的经历将为自我认同、女性主义、霸凌和偏见等恒久议题带来反思。
