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类型:泰剧
主演:郑聪智 钜尼尔·措科功·德奥特拉库尔 纳帕特·辛纳库安 塔那万·霍查雷
导演:未知
语言:泰国语
年代:未知
简介:Studio On Fire将制作首部BL新剧《Live in Love 》,改编自作家Yoe Nim的同名小说。 讲述了P'Kla 和 Nong Cake 因路过而相遇的爱情故事,事情发生在这句话之后“你朋友的名字看起来很好吃”。 在每个人都因为新冠病毒而不得不自我隔离的时期,人们利用空闲时间出来在社交媒体上发布直播,就此让 Kla 和 Cake 通过朋友的直播彼此认识了。 但谁能想到,彼此刚认识的一开始,竟因为一句玩笑话「你朋友的名字看起来很好吃」,诞生了关于 Dare to eat cake 话题的情侣标签.... Kla 被很多人视为一个非常冷漠,不关心任何事的人,你为什么会同意上线? 玩社交媒体的目的,就是为了能和Cake这样一脸呆萌的年轻人现场聊天。
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类型:动画电影
主演:Boom Natthapat Chanchaisombat Bigbo
导演:未知
语言:泰语
年代:未知
简介: Fuse的故事,工程界帅气的月亮,不知道该怎么办。不管他有多帅,他还是找不到对象。然后是阿纳,一个很好的牙医,她的微笑让福塞的心颤抖。是那一个,不是吗?人人都称之为“坠入3452米深的爱河”的症状这种症状,是过敏吗?是的,一定是,因为不管你往哪里看只有粉色。Fuse从单身俱乐部辞职。P'Yiwa,请理解。~~改编自faddist的小说《未来的วิศวะสุดหล่อขอหมอเป็นเมีย》。
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类型:泰剧
主演:皮安崇·达姆容桑托恩查 洪天逸 Man Supakrit Charoo
导演:洪天逸 维特维斯特·海伦亚沃恩酷
语言:泰国语
年代:未知
简介:你还记得《纪念册》里的朋友吗?这个系列将带你回到2000年初,以及Phob和Nut之间的深层联系。当他们两个答应一起追寻梦想的时候。不幸的是,有人没有遵守承诺,这导致了分歧。他们之间只剩下痛苦。最后,他们分开了。四年后,年鉴带来了一个朋友带着一些真相回来了。最终,他们的友谊、亲密和梦想将再次回归,或者他们必须面对现实,并将一切作为回忆留在纪念册中。
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类型:科幻片
主演:平采娜·乐维瑟派布恩 马里奥·毛瑞尔 萨哈贾克·波斯安吉特 大卫阿萨法
语言:
年代:未知
简介: 一个故障百出的 AI 机械人正面临被淘汰的命运,却因爱上一个女人而躲进一个男人的血肉之躯,用尽千方百计夺取芳心。
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类型:恐怖片
主演:Katrina Grey 仁科贵 亚矢乃 Naho Nakashima
导演:广濑贵士
语言:日语
年代:未知
简介:Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.