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备注：已完结
类型：科幻片
主演：托比·马奎尔 克斯汀·邓斯特 詹姆斯·弗兰科 托马斯·哈登·丘奇 托弗
导演：山姆·雷米
语言：
年代：未知
简介：蜘蛛侠（托比•马奎尔TobeyMaguire饰）在经历了重重考验之后，成为了人人敬仰的正义英雄，抱得美人归。但是，光环下蜘蛛侠，也有自己的心病：他在第一集时放走了小偷导致最亲爱的叔叔被小偷杀死，帕克一直耿耿于怀。生活顺意的帕克开始变得目中无人，当他再次抓到那个小偷时，残忍地看着他从楼上摔下致死，过后才发现自己惩罚错了人，真凶是“沙人”。当帕克将“沙人”残忍杀死后，帕克心内的阴暗面渐渐在帕克的身体内占据了上风，蜘蛛侠最终演变成邪恶的“毒蜘蛛”！糟糕的是，帕克没有察觉到自身的变化，帕克最终如何摆脱自身的邪恶？
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备注：已完结
类型：动画电影
主演：Hannelore Hoger Alexandra Kluge Edg
语言：德语
年代：未知
简介： The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
