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类型：动漫
主演：上村祐翔 Yûto Uemura 永濑安奈 Anna Nagase 浦
导演：佐藤龙雄
语言：日语
年代：未知
简介： マンガアプリ「GANMA!」で好評連載中の頭脳アクション作品『多数欠』（漫画：宮川大河）。本作のアニメ化プロジェクトがクラウドファンディングサイト「CAMPFIRE」で始動した。目標金額を800万円に設定し、達成の暁には制作が決定。また、梶裕貴さんナレーションによる期間限定PVが制作中となっており、達成時には完成版のアニメーションを含めたオープニングを約1分30秒と本編約4分、計5分を超えるショートアニメーションを観ることができる。ストーリーは第三部『多数欠 -Judgement Assizes-』を基にした、渋谷を舞台とする完全オリジナルエピソードとなる。 ※募集期間：2020年3月6日（金）～2020年5月10日（日）
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备注：已完结
类型：动画电影
主演：Hannelore Hoger Alexandra Kluge Edg
语言：德语
年代：未知
简介： The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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类型：欧美剧
主演：南希·纳什 莱丝利·曼维尔 考特尼·万斯 特莎·费勒 瑞雯·古德温 尼
导演：瑞恩·墨菲
语言：英语
年代：未知
简介： Ryan Murphy dropped a teaser for a new series titled Grotesquerie in an Instagram post (see it below) on Friday. According to the post, it will star Niecy Nash-Betts — who has worked with Murphy several times before and is coming off an Emmy win for Monster: The Jeffrey Dahmer Story — Courtney B. Vance and Lesley Manville and is set to premiere in the fall. The teaser features Nash-Betts’ voice, sounding very disturbed about a crime scene: “I don’t know when it started. I can’t put my finger on it. But it’s different now. There’s been a shift. It’s like something’s opening up in the world — a kind of hole to the center of nothingness. What I saw today — they sent shrinks for everyone who worked this crime scene. You think, ‘Well hon, evil has always existed,’ and cite some statistic about how the world’s getting better, less murder, more help, less global horror, never been a better time to be alive, honey.” Her voice cracking, Nash-Betts (or rather, her character) concludes by saying, “Come back. It’s not getting better. And I keep needing to hear your answers, because something’s happening around us, and nobody sees but me.”
