备注:已完结
类型:剧情片
主演:莱昂纳多·迪卡普里奥 马特·达蒙 杰克·尼科尔森 马克·沃尔伯格 马丁
导演:马丁·斯科塞斯
语言:英语
年代:未知
简介: 波士顿南部的马萨诸塞州黑社会势力极为猖獗,其中最大的团伙要数弗兰克(杰克•尼科尔森 Jack Nicholson 饰)执掌的爱尔兰黑帮。警方为了剿灭他们,决定派警校毕业生比利(莱昂纳多•迪卡普里奥 Leonardo DiCaprio 饰)潜伏其中做卧底。警官的冷嘲热讽,让曾有过底层生活的比利甚为不爽,他曾希望做堂堂正正的警察,但是在强压之下也只得服从命令,在经过烧杀抢掠的洗礼后,他赢得了弗兰克的信任。与此同时,同是毕业生的科林(马特•达蒙 Matt Damon饰)因为缉私有功,获得了上级的嘉奖,并且正在跟心仪女友筹备婚事。而实际上,他是弗兰克安插到警队的一枚棋子,两人勾结牟取私利。警匪先后发现存在内鬼,一场猫鼠博弈由此展开…… 本片获得第79届奥斯卡金像奖最佳影片、马丁•斯科塞斯摘得最佳导演奖。
备注:已完结
类型:剧情片
主演:提卡·森普特 帕克·索耶 瓦妮莎·贝尔·卡洛威 菲利普·爱德华·范·利
导演:理查德·塔恩
语言:英语
年代:未知
简介:故事的主角是大名鼎鼎的美国总统奥巴马(帕克·索耶 Parker Sawyers 饰),时间回溯到他28岁那一年,那是的奥巴马还是一个意气风发前途无量的年轻人。1989年的夏天,奥巴马来到了芝加哥盛德国际律师事务所实习,在这里,他邂逅了米歇尔(提卡·森普特 Tika Sumpter 饰),她不仅是他的师姐,同时也是他的顶头上司。 见到米歇尔没多久,奥巴马就被她的魅力征服了,随即展开了热烈的追求,可是,米歇尔对奥巴马的热情却有些不咸不淡,作为办公室里唯二的两名黑人,同时还是上下级,开展一场办公室恋情并不是米歇尔想要得到的。然而,再冷酷的冰霜都会融化在奥巴马的热情之下。
备注:已完结
类型:动作片
主演:C. Thomas Howell Timothy Bottoms Li
语言:英语
年代:未知
简介:弗瑞斯特(C. Thomas Howell 饰)、凯伦(Anya Benton 饰)和科尔(Darren Dalton 饰)、林德赛(Lindsey McKeon 饰)两对新婚夫妇乘船前往波多黎各的胡安度蜜月,在加勒比海上行驶途中,他们遭遇一场恐怖的暴风雨。待到风暴过后,船上的雷达、发动机全部损毁,淡水也流失殆尽,众人被困在海上不知方向。正在焦急时刻,一个小岛出现在他们面前。众人欣喜过望,连忙乘坐救生艇前往小岛,只留下心存恐惧的凯伦留守船上。 上岸后不久,船员斯戴克即遭到翼龙的袭击身亡,接着他们便发现,这个岛上充斥着早已灭绝的恐龙。当他们想要逃离这个恐怖的小岛时,凯伦和小船全都不知去向。在这块危险丛生的土地上,他们必须想办法死里逃生……
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类型:动作片
主演:查德·科林斯 秋元才加 汤姆·贝伦杰 瑞安·罗宾斯 Ryan Robb
导演:卡里·安德鲁斯
语言:
年代:未知
简介:美国与俄罗斯签署贸易协定的当晚,一位重要人物被刺杀,而特种部队狙击手布兰登•贝克特(查德•科林斯ChadMichaelCollins饰)则被当成了头号嫌疑人。死里逃生后,布兰登意识到此事可能牵扯到了政府内部的黑暗阴谋,于是便找到了他唯一能信任的伙伴—他的父亲,“双狙人”托马斯•贝克特(汤姆•贝伦杰TomBerenger饰)。父子二人再度联手,而这一次,他们不仅要面对中情局、俄罗斯雇佣兵的追捕,更要面对一位人称“死亡小姐”的日本极道杀手(秋元才加SayakaAkimoto饰),而她拥有着足以与二位传奇狙击手相匹敌的狙击技能......本片为“双狙人”系列的第八部作品。
备注:已完结
类型:欧美剧
主演:杰西卡·格林 Jake Stormoen 伊莫金·沃特豪斯 阿南·德赛
导演:John Lyde Kynan Griffin Kurt Knight 马克·罗斯金 Jason Faller Clare Niederpruem
语言:
年代:未知
简介:CW宣布直接预订10集新剧《前哨TheOutpost》,预定夏季档首播,美国以外地方则在Syfy播出。《前哨》是CW首部夏季档一小时新剧,过去该网只曾在夏档播出半小时新剧。由JasonFaller及KynanGriffin主创的《前哨》讲述数年前Blackbloods一族住的村子遭雇佣兵摧毁及屠杀,而女主Talon(JessicaGreen饰)侥幸存活后到达了文明世界边缘,立于此处的堡垒里有当年的凶手。在旅程途中她发现自己拥有神秘的超自然能力,她得学会控制它,好保护自己及打败那狂热的宗教独裁者。其他演员包括JakeStormoen﹑ImogenWaterhouse﹑AndrewHoward﹑AnandDesai-Barochia及RobynMalcolm。
备注:已完结
类型:剧情片
主演:Anna Neagle Anton Walbrook C. Aubre
语言:英语
年代:未知
简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor