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备注：已完结
类型：电影
主演：Hannelore Hoger Alexandra Kluge Edg
语言：德语
年代：未知
简介： The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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备注：已完结
类型：动画电影
主演：Hannelore Hoger Alexandra Kluge Edg
语言：德语
年代：未知
简介： The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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备注：已完结
类型：欧美剧
主演：阿隆·阿布布尔 Damson Idris 阿明·约瑟夫 艾米莉·里奥斯
语言：
年代：未知
简介：被正式预订的FX剧《白粉飞Snowfall》首季为10集，该剧由JohnSingleton创作，故事关于1980年代洛杉矶的毒品交易蔓延。《BoyzNTheHood》导演Singleton和EricAmadio联合创作剧本，AdilElArbi与BilallFallah导演。这试映集经过重拍，找来DaveAndron当制作人，另外该剧抽中了税务减免。《白粉飞》设定于毒品蔓延初期，最终众所周知影响到文化层面。FranklinSaint（DamsonIdris饰）认为自己是个街头「企业家」，渴望权力；他在洛杉矶南区出世及成长，不过在圣盖博谷地区的较优地区学习，他决心用一切手段改善自己的生活。GustavoZapata（SergioPeris-Mencheta饰），一位墨西哥摔跤手，陷入一个犯罪家庭的权力斗争。TeddyMcDonald（CarterHudson饰）是个CIA情报员，有着黑暗的秘密，正进行一个秘密﹑非局内的行动，以资助尼加拉瓜反政府活动。EmilyRios饰演Lucia，身在洛杉矶墨西哥犯罪家庭，但洁身自爱的女儿，该犯罪家庭偷运大麻进洛杉矶，并在此地贩毒。MichaelHyatt饰演SharonSaint，别称Cissy，是Franklin的妈妈。不爱废话的她在个人及职业生涯都过得不如意，不过她甘愿放弃自己梦想来给予儿子自己没得到过的机会。AminJoseph则饰演Franklin的叔叔JeromeSaint，一个在监狱的硬汉兼骗子，是个低层的大麻贩子。AlonAboutboul饰演AviDrexler，一个在圣费尔南多谷﹑不可预测的可卡因贩子。IsaiahJohn角色设定不详。AngelaLewis饰演LouiseSaint，是Franklin的姨子，喜欢混迹派对﹑JuanJavierCardenas饰演老谋深算的AlejandroUsteves，尼加拉瓜反抗军的人，为了保持革命而愿意不择手段。FilipeValleCosta饰演自大的Pedro，是墨西哥犯罪家庭继承人。
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备注：已完结
类型：欧美剧
导演：Alex Zakrzewski
语言：英语
年代：未知
简介：Cold Case不同于CSI把犯罪调查过程象记录片似的呈现在观众眼前，也没有众多当今尖端科技的支持，在该剧中，几乎没有任何和CSI类似的关于用高科技分析尸体来寻找线索的场面，Lilly Rush，作为费城凶杀调查科的唯一女探员，构成了这部以调查陈年旧案为主题的电视剧的绝对核心人物。她的沉着冷静，机警敏锐，还有她那张纤细苍白的脸庞，给观众留下了难以磨灭的印象，这部剧的独特魅力在于，凭着Lilly坚韧的性格，她和她的搭档们总是千方百计的寻找那些至今还健在的当事人，让那些活在过去阴影中的人们在亦欣慰或痛苦的挣扎中去回忆当年发生的惨剧，把观众带到几十年前那个不同的世界，让真正的凶手在各当事人的不同回忆和口供的差异中一点点的凸现出来。而每一次的真相被揭露时，观众都会发现一个难以置信的结局，或悲惨，或愤怒，或无奈。但是无论当年发生的罪案如何难以置信，时间的流逝终究会抚平人们的一些悲伤。Cold Case全剧弥漫着浓厚的怀旧色彩和淡淡的忧伤，或者说是一种女性的温情，让你被每一个故事渐渐的感动，从而在心底留下一些触动。全剧最让人感动的地方就在结尾处，当真正的凶手被绳之以法后，Lilly总能看见当年死去的人们站在对面的街角，向她露出微笑，仿佛实在感谢她使冤案得以昭雪。那一刻，再坚硬的心，也会被深深打动的。 第七季将会以四十余年前，一艘轮船上的一起被定性为自杀的少女失踪案开篇。
