备注:已完结
类型:爱情片
主演:汤姆·汉克斯 凯瑟琳·泽塔-琼斯 斯坦利·图齐 齐·麦克布赖德 迭戈·
导演:史蒂文·斯皮尔伯格
语言:
年代:未知
简介:为了完成父亲的心愿,维克多(汤姆•汉克斯TomHanks饰)从故国乘坐飞机前往美国肯尼迪机场,但戏剧性的事情发生了:他被告知祖国发生政变,而他的身份证护照一一失效,同时他的签证也无法再使用。进退两难的维克多只有在机场滞留,等待新证件的办理。但是,他在机场等待了整整9个月。在这9个月里面,他用机场的洗手间洗漱,在候机室睡觉,他已经学懂因地制宜,在机场照料自己的生活,甚至还找了一份建筑工地工作。然而维克多的邋遢晦气却招来了机场负责人弗兰克(史坦利•图齐StanleyTucci饰)的不满,而恐怕更令他气愤妒忌的是,美丽的空姐艾米利亚(凯瑟琳•泽塔-琼斯CatherineZeta-Jones饰)竟然爱上了维克多。处在甜蜜中的维克多,也在慢慢观察机场的人生百态,自得其乐。
备注:已完结
类型:动作片
主演:安东尼·霍普金斯 亚历克·鲍德温 艾拉·麦克弗森 哈罗德·佩里诺 巴特
导演:李·塔玛霍瑞
语言:
年代:未知
简介:查尔斯(安东尼·霍普金斯AnthonyHopkins饰)是一个腰缠万贯的百万富翁,对于他来说,金钱、权利和女人不过是生活的基本配置而已。但是,在为查尔斯打工的摄影师罗伯特(亚历克·鲍德温AlecBaldwin饰)眼里,老板所拥有的一切,尤其是他年轻的妻子米琪(艾拉·麦克弗森ElleMacpherson饰)都让他感到十分眼红,但是,罗伯特不知道的是,敏感又细心的查尔斯早就开始怀疑起了他和米琪之间的清白。在一次工作中,众人乘坐的飞机发生了事故,一行人流落到了阿拉斯加的荒原之上。匮乏的资源,恶劣的天气,凶恶的野生动物,一切的一切都威胁着大家的性命,但最最可怕的,其实是每个人深藏在心底的黑暗面。
备注:已完结
类型:爱情片
主演:瑞安·雷诺兹 阿比盖尔·布雷斯林 伊丽莎白·班克斯 艾拉·菲舍尔 蕾切
导演:亚当·布鲁克斯
语言:
年代:未知
简介:威尔(瑞安•雷诺兹饰)的女儿玛雅(阿比吉尔•布莱斯林饰)在学校学习了性教育之后,回到家中嚷着要父亲给她讲述关于自己的爱情故事。雅玛更想努力的从故事中找到母亲的形象,虽然她的父母已离婚。1992年,威尔暂时别离的女友艾米莉(伊丽莎白•班克斯饰)独自来到纽约发展自己的事业,他是协助克林顿竞选总统的竞选战团的一员。威尔雄心勃勃,可是他的事业却不如想象中顺利。感情路也是如此,寂寞的威尔跟战团员工艾波(艾拉•费舍尔饰)、新闻记者夏曼(蕾切尔•薇姿饰)发展出若有似无的感情,最后他甚至与同样出轨了的艾米莉分手收场。即使到后来威尔在纽约站稳了脚,有了自己的公司,他还是兜兜转转在这三个女人当中,到底谁是他的真爱?
备注:已完结
类型:科幻片
主演:阿诺·施瓦辛格 乔治·克鲁尼 克里斯·奥唐纳 乌玛·瑟曼 艾丽西亚·希
导演:乔·舒马赫
语言:
年代:未知
简介:蝙蝠侠(乔治•克鲁尼GeorgeClooney饰)和罗宾(克里斯•奥唐纳ChrisO’Donnell饰)这次遇到有生以来最大的挑战:“急冻人”(阿诺•施瓦辛格ArnoldSchwarzenegger饰)!“急冻人”原是一个科学奇才,但一次意外却令他只能靠急救机器为生。更为糟糕的是,除非他将整个高谭市的温度保持在零度以下,否则他心爱的妻子将永远不能醒来。“急冻人”开始一步步建立自己的冷冻王国,蝙蝠侠将是这个计划的最大阻碍,“急冻人”迫切需要除掉这个眼中钉。罗宾逐渐成为蝙蝠侠的得力助手,两人合力化解了“急冻人”的一次次阴谋。但美艳的“毒藤女”(乌玛•瑟曼UmaThurman饰)的出现给罗宾和蝙蝠侠彼此之间的关系带来了危机:“毒藤女”利用罗宾对她的心意,一步步设下陷阱,诱使两人互相猜疑。蝙蝠侠和罗宾最终能否化解心结,战胜“急冻人”和“毒藤女”?
备注:已完结
类型:动作片
主演:盖尔·加朵 克里斯·派恩 克里斯汀·韦格 佩德罗·帕斯卡 康妮·尼尔森
导演:派蒂·杰金斯
语言:英语
年代:未知
简介:故事背景设定在五光十色、充满诱惑的80年代,神奇女侠戴安娜在华盛顿的自然历史博物馆过着与普通人无异的生活,然而在阻止了一场看似平常的劫案后,身边的一切都发生了变化。在强大的神力诱惑下,两位全新劲敌悄然出现——与神奇女侠“相爱相杀”的顶级掠食者豹女,以及掌控着能改变世界力量的麦克斯·洛德,一场惊天大战在所难免。另外一边,旧爱史蒂夫突然“死而复生”,与戴安娜再续前缘,然而浪漫感动之余,史蒂夫的回归也疑窦丛生。新时代大幕开启,面对两位强大的邪恶反派和神秘归来的史蒂夫,神奇女侠要如何才能再次拯救世界?
备注:已完结
类型:剧情片
主演:艾拉·娜兹莫娃
语言:其它
年代:未知
简介:Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.