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备注：已完结
类型：爱情片
主演：皮奥特·赛尔沃斯 Jan Kardasinski 玛格达莱娜·朗帕斯卡
语言：
年代：未知
简介：心碎的科学家搬回家乡，希望有个全新开始，但她爱算计的老哥却雇来一个陌生帅哥，打算说服她卖掉他们的土地。
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备注：已完结
类型：电影
主演：Hannelore Hoger Alexandra Kluge Edg
语言：德语
年代：未知
简介： The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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备注：已完结
类型：动画电影
主演：Hannelore Hoger Alexandra Kluge Edg
语言：德语
年代：未知
简介： The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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备注：已完结
类型：泰剧
主演：提迪瓦·立帕拉赛 纳塔奇·司隶朋通 米恩.纳特塔克瑞缇.汉蒙缇利 保卢
语言：
年代：未知
简介：在每一段爱情里都会藏有那么一件美好的事那就是…爱着某个人和被某个人…爱着
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备注：已完结
类型：纪录片
主演：Julian Barratt Dan Nachtrab
导演：Tom Hewitson Didi Mae Hand Joby Lubman
语言：英语
年代：未知
简介：EuropefromAbovetakestotheairoverGermany,Italy,theNetherlands,Poland,SpainandtheUKtoshowcaseEurope’sfinestculturalandgeographicallandmarksasyou’veneverseenthembefore.Stunningaerialhyper-lapsephotographyallowsustovisualisethechangesofaseasoninseconds,astulipfieldsintheNetherlandsmagicallyburstintocolourandwaterfallsintheDolomitesturntoice.Werevealhowtradition,engineeringandnaturalwondershaveshapedthisepiccontinent-avibrantportraitoftheseregionsandthepeoplewhokeeptheirtraditionsalive.
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备注：已完结
类型：电影
主演：未知
导演：Lucy Gaster Amy Gibb Bertie Fenton
语言：英语
年代：未知
简介：50 年前，瑞典流行超级乐队 ABBA 凭借其在英国布莱顿穹顶表演的突破性热门歌曲《滑铁卢》赢得了欧洲歌唱大赛。这是 ABBA 和瑞典流行音乐进入更广泛世界意识的“大爆炸”时刻。从 ABBA 到 Europe，从 Max Martin 到 Roxette，从 Ace of Base 到 Robyn 等，几十年来，瑞典艺术家、作家和制作人对全球排行榜产生了巨大影响。通过档案片段、独特的信息图表以及对词曲作者、制作人、表演者和行业专家的采访，包括 Ulf Ekberg（Ace of Base）、Dr Alban、Nina Persson（The Cardigans）、John Grant、E-Ty
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备注：已完结
类型：动画电影
主演：未知
导演：Lucy Gaster Amy Gibb Bertie Fenton
语言：英语
年代：未知
简介：50 年前，瑞典流行超级乐队 ABBA 凭借其在英国布莱顿穹顶表演的突破性热门歌曲《滑铁卢》赢得了欧洲歌唱大赛。这是 ABBA 和瑞典流行音乐进入更广泛世界意识的“大爆炸”时刻。从 ABBA 到 Europe，从 Max Martin 到 Roxette，从 Ace of Base 到 Robyn 等，几十年来，瑞典艺术家、作家和制作人对全球排行榜产生了巨大影响。通过档案片段、独特的信息图表以及对词曲作者、制作人、表演者和行业专家的采访，包括 Ulf Ekberg（Ace of Base）、Dr Alban、Nina Persson（The Cardigans）、John Grant、E-Ty
